Each painting begins with a form carved by hand, then coated with a unique mineral paste of my own invention. This formula, developed through years of experimentation, turns fragile structures into enduring, stone-like surfaces. Into this paste I fuse sands, stones, and pigments gathered from extraordinary places across the world: active volcanic terrains, serpent-filled valleys, and remote shores with deep historical resonance. These elements are not ornamental — they become the essence of the work, embedding fragments of Earth and history directly into the artwork. Every painting is a singular relic, alive with the memory of the places it carries within.

Light, in my works, is not simply painted. It appears as if it emanates from within the surface — glowing edges, shifting colors, a radiance that surprises the viewer. Flames seem to flicker across rock, or unearthly pink and green tones cast otherworldly atmospheres. Many who see my work believe it is physically illuminated, yet the glow is only an illusion built into the texture itself.

I create visions that exist between the natural and the mythological, the earthly and the cosmic. Some works shimmer with gold leaf, others suggest lava flows, serpentine forms, or alien horizons. Every painting is unique, unreproducible, and alive with its own presence.